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The Mystery of Passiontide and Holy Week...

A meditation on Lent from The Liturgical Year by Abbot Dom Guéranger, O.S.B.

THE holy liturgy is rich in mystery during these days of the Church's celebrating the anniversaries of so many wonderful events; but as the principal part of these mysteries is embodied in the rites and ceremonies of the respective days, we shall give our explanations according as the occasion presents itself. Our object in the present chapter, is to say a few words respecting the general character of the mysteries of these two weeks.

     We have nothing to add to the explanation, already given in our Lent, on the mystery of forty. The holy season of expiation continues its course until the fast of sinful man has imitated, in its duration, that observed by the Man-God in the desert. The army of Christ's faithful children is still fighting against the invisible enemies of man's salvation; they are still vested in their spiritual armour, and, aided by the angels of light, they are struggling hand to hand with the spirits of darkness, by compunction of heart and by mortification of the flesh.

     As we have already observed, there are three objects which principally engage the thoughts of the Church during Lent. The Passion of our Redeemer which we have felt to be coming nearer to us each week; the preparation of the catechumens for Baptism, which is to be administered to them on Easter eve; the reconciliation of the public penitents, who are to be readmitted into the Church on the Thursday, the day of the Last Supper. Each of these three objects engages more and more the attention of the Church, the nearer she approaches the time of their celebration.

     The miracle performed by our Saviour almost at the very gates of Jerusalem, by which He restored Lazarus to life, has roused the fury of His enemies to the highest pitch of frenzy. The people's enthusiasm has been excited by seeing him, who had been four days in the grave, walking in the streets of their city. They ask each other if the Messias, when He comes, can work greater wonders than these done by Jesus, and whether they ought not at once to receive this Jesus as the Messias, and sing their Hosanna to Him, for He is the Son of David. They cannot contain their feelings: Jesus enters Jerusalem, and they welcome Him as their King. The high priests and princes of the people are alarmed at this demonstration of feeling; they have no time to lose; they are resolved to destroy Jesus. We are going to assist at their impious conspiracy: the Blood of the just Man is to be sold, and the price put on it is thirty silver pieces. The divine Victim, betrayed by one of His disciples, is to be judged, condemned, and crucified. Every circumstance of this awful tragedy is to be put before us by the liturgy, not merely in words, but with all the expressiveness of a sublime ceremonial.

     The catechumens have but a few more days to wait for the fount that is to give them life. Each day their instruction becomes fuller; the figures of the old Law are being explained to them; and very little now remains for them to learn with regard to the mysteries of salvation. The Symbol of faith is soon to be delivered to them. Initiated into the glories and the humiliations of the Redeemer, they will await with the faithful the moment of His glorious Resurrection; and we shall accompany them with our prayers and hymns at that solemn hour, when, leaving the defilements of sin in the life-giving waters of the font, they shall come forth pure and radiant with innocence, be enriched with the gifts of the Holy Spirit, and be fed with the divine flesh of the Lamb that liveth for ever.

     The reconciliation of the penitents, too, is close at hand. Clothed in sackcloth and ashes, they are continuing their work of expiation. The Church has still several passages from the sacred Scriptures to read to them, which, like those we have already heard during the last few weeks, will breathe consolation and refreshment to their souls. The near approach of the day when the Lamb is to be slain increases their hope, for they know that the Blood of this Lamb is of infinite worth, and can take away the sins of the whole world. Before the day of Jesus' Resurrection, they will have recovered their lost innocence; their pardon will come in time to enable them, like the penitent prodigal, to join in the great Banquet of that Thursday, when Jesus will say to His guests: ' With desire have I desired to eat this Pasch with you before I suffer.' [St. Luke 22:15]

     Such are the sublime subjects which are about to be brought before us: but, at the same time, we shall see our holy mother the Church mourning, like a disconsolate widow, and sad beyond all human grief. Hitherto she has been weeping over the sins of her children; now she bewails the death of her divine Spouse. The joyous Alleluia has long since been hushed in her canticles; she is now going to suppress another expression, which seems too glad for a time like the present. Partially, at first,* but entirely during the last three days, she is about to deny herself the use of that formula, which is so dear to her: Glory be to the Father, and to the Son, and to the Holy Ghost. There is an accent of jubilation in these words, which would ill suit her grief and the mournfulness of the rest of her chants.

     Her lessons, for the night Office, are taken from Jeremias, the prophet of lamentation above all others. The colour of her vestments is the one she had on when she assembled us at the commencement of Lent to sprinkle us with ashes; but when the dreaded day of Good Friday comes, purple would not sufficiently express the depth of her grief; she will clothe herself in black, as men do when mourning the death of a fellow-mortal; for Jesus, her Spouse, is to be put to death on that day: the sins of mankind and the rigours of the divine justice are then to weigh him down, and in all the realities of a last agony, He is to yield up His Soul to His Father.

     The presentiment of that awful hour leads the afflicted mother to veil the image of her Jesus: the cross is hidden from the eyes of the faithful. The statues of the saints, too, are covered; for it is but just that, if the glory of the Master be eclipsed, the servant should not appear. The interpreters of the liturgy tell us that this ceremony of veiling the crucifix during Passiontide, expresses the humiliation to which our Saviour subjected Himself, of hiding Himself when the Jews threatened to stone Him, as is related in the Gospel of Passion Sunday. The Church begins this solemn rite with the Vespers of the Saturday before Passion Sunday. Thus it is that, in those years when the feast of our Lady's Annunciation falls in Passion-week, the statue of Mary, the Mother of God, remains veiled, even on that very day when the Archangel greets her as being full of grace, and blessed among women. 

* Unless it be the feast of a saint, as frequently happens during the first of these two weeks.   


Christ's Passion as seen and experienced by Veronica (March 8, 1971)...

     The Passion was seen in vision by Veronica during the praying of the Sorrowful Mysteries of the Rosary. Present during this phenomenon were Camille Debrowski, Ben and Mary Salomone, and Evelyn Murphy.  

     Veronica received the stigmata of the hands and feet at this time. A cross appeared on her right foot in the instep area, directly in line with the big toe and second toe, near the center of the instep, but over more to her left side of the instep, centered between the ankle area and toes. The nail bruise appeared on the instep of the left foot, more centered between the second and third toe from the large toe, at the center of the instep. The right foot was crossed over the left. The cross fitted perfectly in line with the nail mark on the left foot. 

The Passion as related by Veronica: 

     "Jesus started by requesting that on the three initial beads of the Rosary we say the Acts of Faith, Hope, and Charity. Then we entered into the Sorrowful Mysteries. 

THE AGONY IN THE GARDEN

     "During the first decade I saw Jesus on His knees, bent over in anguish, praying. He was wearing a long, burgundy-colored cape over an inner garment of beige-colored material, long and flowing. There was a great sadness in His face, great sorrow. He was talking to His Father in Heaven:

     "'Father, I will drink of this cup, down to the last dreg, if it be Your will. It is not I that should seek that this cup be removed from Me. My strength is everlasting in the light, and My heart a bleeding vessel for this cup.' 

THE SCOURGING

     "During the second Mystery, I cried out, 'No! No! Stop that!' For there was our beloved Jesus being pulled to and fro as His tormentors pulled His upper garment from His back. They tied His wrists together and drove a spike into an upright beam. Jesus' hands were bound by strips of a brown, leather-like cord. Then the central part of the cord that bound His hands was looped over the spike in the beam. Poor Jesus was pinned by His hands.

     "There were five people in this cave-like room that appeared to be dug out of a hillside, a sort of hole-room in the hillside.

     "I screamed and winced as two soldiers took turns hitting Jesus' bare back with a long brown, leather-like strap. On this strap were metal hooks, laid horizontally all along the strap. These nail-like, claw-like fixtures on the strap cut and scratched deeply into Jesus' flesh, causing blood to pour out. It was a despicable game with the soldiers. They laughed and joked. Jesus never said a word.

     "I cried, 'Say something! Say something!' He could save Himself, but Jesus remained silent as they spat and insulted Him. His back became a mass of welts and torn flesh. Jesus was barefoot; His sandals had fallen off as they banged a stake higher into the pole and raised poor Jesus up so His toes barely touched the floor. The floor was just dirt and blood. The soldier remarked, 'Maybe they cut out His lying tongue. Ha, ha!' Our poor Jesus remained silent.

     "Off to the side I saw a room. There was a large, kettle-like pot, real old looking--of rough metal, a deep reddish-brown in color, very large. Underneath was a fire burning; there was a heavy liquid bubbling. Off to the side was another, longer metal receptacle filled with water. There were two soldiers dressed in short dresses--short, knee-length skirts, with pointed metal pieces hanging down in a pattern of triangles all around the waist, front and back.

     "They had a metal, vest-like covering on their chests and silver-colored metal headpieces that were shaped like a cap, but swooped up to a flowing design on the top. Three other men were almost naked, dressed in diaper-like clothing. They were holding a long piece of metal. They placed the end in the large kettle; it had a red-hot glow. Then the third man had a large, mallet-like hammer, and he beat on the hot metal. He was pounding it round and round until it looked like a spike. He would then douse it in that metal water trough. Two soldiers were talking over at the side. Later they took the five spikes. (There were five large spikes made.) 

THE CROWNING WITH THORNS

     "I then saw Jesus. He had been cut from the post and had fallen over. A soldier roughly pulled Him over to a wicker-like stool and plunked Jesus onto it. Poor Jesus hung forward, and a nasty soldier put a long stick in His hands to balance Him up, and yelled, 'Ha, ha! So this is the King of the Jews! Let's dress Him as fitting!'

     "The soldier went outside, to return with an armful of brier bush. He used the metal tongs to make it easier to handle. He made a sort of cap and stuffed a circlet of briers into it. In that way he could handle it better and shove it on poor Jesus' head. The thorns were too hard to weave, to stay together, so the cap was thought of. It was so big, and he kept batting it down with a stick. The sadist gloated as he swung. Jesus, dearest Savior, said never a word. The pain was excruciating. Tears coursed down the cheeks of our poor Jesus, but they were of sorrow. The greatest pain was in His heart!

     "Jesus' hands were tied again with the brown, leather-like material; and He was dragged to His feet. The soldier draped His top gown over His torn back. Oh, I could see it stick to His oozing blood. Oh, it was horrible!  

THE CARRYING OF THE CROSS

     "Then a soldier pushed Jesus out of the hole-like entrance, and down a road. There were many people, all in a spirit of carnival. Two soldiers pushed Jesus over to the side of the big crossbeam which was carried through the crowd. It looked like a heavy log--real rough, and a brownish wood. Two soldiers stood it up and another put Jesus over to it. Two soldiers started to tie His hands onto it. It was supported across His back and on the shoulders. It looked awfully heavy and awkward. The brown leather rope was taut across His elbow area. He seemed to be balancing and supporting the beam as He struggled on.

     "There were three ladies and a man walking off to one side with Him. The ladies were weeping silently. The man had his arm about a lady. The man was very tall. He had a long, brown gown on, and he had a brown beard and dark brown hair. The ladies wore beige-colored gowns; but one lady had a purple, coat-like garment over hers.

     "Jesus tripped and fell. He was so weak now, the beam had thrown Him off balance as He staggered. Poor Jesus fell. One nasty old man ran out of the crowd to spit and kick Him--the nasty old beast! I tried to tear off my tunic to wipe the blood out of His eyes. It was awful! He looked up at me--the soldiers wouldn't let me through. I pulled at my hair in frustration and anguish. Jesus looked at me, and I saw the love of an eternal, glorious promise. I cried, 'What could I do?' I screamed, 'Help Him! Help Him, please!' I, Veronica, was helpless to lift the cross. I could only hope to wipe His dear face.

     "Soon a soldier grabbed a man out of the crowd. This man had a long gown on with stripes down the front, and he had a turban wrapped around his head with stripes in the front. He sure didn't want to carry the beam, but they knew Jesus couldn't make it to the outskirts of the town. So this man shouldered the beam while the insane crowd taunted. Jesus was pushed and pulled along. Dirt and blood were all over Him; He was a picture of bloody grime.

     "I was retching; I was sick. Oh, such a horror! Such torture! How could they do this to Him? What did He do but love everyone! Beasts! Beasts! Soon the soldier ran up with the five spikes. When they reached the hill, there was a long piece of wood already on the ground. A soldier lifted the beam from the shoulders of this other man and threw it to the ground. Two other soldiers placed it on top of the long piece of wood to form a cross--long all the way down, and sort of sticking out at the top. They slammed one spike into the two beams and the cross was made. 

THE CRUCIFIXION

     "Two lousy soldiers threw Jesus to the ground, and they pulled His arms out to stretch across the cross beam. Oh, how it hurt, the back so torn! I could see the pain in Jesus' eyes, but He never uttered a word. He just looked sad. Then they took brown, leather-like cord and wrapped it around His wrists at the board, bound to the board. Then they lifted and tied the wrists to the board, bound and wound the leather cord around the ankles and the wood to hold Him in place. 

     "Then the spikes were thrown onto the ground, and one soldier got down on his knees and he placed the spike in the center of the palm of poor Jesus' hand. With that metal mallet he drove it in through the skin and out into the board. I screamed! I threw up! This was repeated on the right hand. Then Jesus looked up to the sky. They started on the legs--one large spike into both feet, His right foot over the left, at a twisted sort of angle, placed to lie flat against each other. I retched as I heard the metal against flesh and bone and wood. One spike protruded out the other side. They hammered a block of wood under His poor feet, 'to line 'em up,' they said. It was awful!

     "I looked off into the crowd. Oh, there were only nine people there to stay with Jesus. I now knew His Mother, Mary Cleophas (the wife of Clopas), Mary Magdalen, and John. Oh, poor Jesus--never a word did He say as they nailed Him to the wood. Oh, such love!

     "Soon two soldiers lifted the head of the wood and three the bottom, carrying Jesus on the cross, and dropped the end into a hole. It went in with a thump! Jesus winced. And it tore His hands more. Blood was trickling down His face. He couldn't move His head. The pain was awful; each movement cut deep. He sagged a bit, but pulled upward. The sagging tore more.

     "Mary and Mary ran up to Him. They did not speak at first; they could talk with their eyes to each other. They didn't need words. John came over, for Jesus' bottom tunic fell down. Oh, dear, He was almost naked. I turned away, but John ran over and tied sort of knots in it, like a diaper. Oh, the humiliation to poor Jesus! Then Jesus said to John: "Behold, John, your Mother. And this, Mother, is Your son. I must go to the Father soon."

     "The crowd started to move off. Jesus cried: "Abba, abba sabba la bec tori"--that is what it sounded like--a foreign sound. Sabba sabba sabba la bec tori. (I can't spell it well, just by sound.) Then He looked up. "I thirst!" (This I heard in English.)  

     ". . . Water, yellowish water. . . . Jesus' head hung down to His right. It became dark, so dark. Everyone went away but the nine. They all came close; and Mary clung to His feet, wordless in sorrow." 

     Veronica finished the recitation of what she experienced to find her feet swollen and her arms sore, the feet marked and the hands stinging. Her wordless reaction was a mixture of wonder, joy, and love--joy that now she could join Jesus in His suffering and hold His hand on the road to the Kingdom.

Directives from Heaven... https://www.tldm.org/directives/directives.htm

D2 - The Holy Eucharist  PDF Logo PDF
D66 - The Passion of Christ (Part 1)  PDF Logo PDF
D67 - The Passion of Christ (Part 2)  PDF Logo PDF
D71 - Death and Judgment  PDF Logo PDF
D84 - Commandments  PDF Logo PDF
D113 - Penance and Sacrifice, Part 1  PDF Logo PDF
D114 - Penance and Sacrifice, Part 2  PDF Logo PDF

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